Articles

• 2010. Socio-Emotional Functioning And Face Recognition Ability In The Normal Population. [ebook] Exeter. Available at: <https://core.ac.uk/download/pdf/74765.pdf> [Accessed 27 May 2020].

• Bate, S., 2016. How an army of ‘super recognisers’ could help spot criminals and missing persons. The Conversation, [online] Available at: <https://theconversation.com/how-an-army-of-super-recognisers-could-help-spot-criminals-and-missing-persons-67571> [Accessed 26 May 2020].

• Bradt, S., 2006. ‘Face-blindness’ disorder may not be so rare. The Harvard Gazette, [online] Available at: <https://news.harvard.edu/gazette/story/2006/06/face-blindness-disorder-may-not-be-so-rare/> [Accessed 8 January 2020].

• Doval, P., 2018. Face Recognition to be must for all Aadhaar Authentications. The Times of India, [online] Available at: <https://timesofindia.indiatimes.com/india/face-recognition-to-be-must-for-all-aadhaar-authentications/articleshow/65522828.cms> [Accessed 3 February 2020].

• Futurism, 2017. AI Will Bring About the Biggest Transformation in Human History. [online] Available at: <https://futurism.com/ai-will-bring-about-the-biggest-transformation-in-human-history> [Accessed 30 January 2020].

• Harding, L., 2019. Martin Scorsese says de-ageing CGI in ‘The Irishman’ is ‘an evolution of make-up’. The Independent, [online] Available at: <https://www.independent.co.uk/arts-entertainment/films/martin-scorsese-the-irishman-cgi-make-up-robert-de-niro-al-pacino-a9154271.html> [Accessed 20 January 2020].

• Heaven, W., 2020. Our weird behavior during the pandemic is messing with AI models. MIT Technology Review, [online] Available at: <https://www.technologyreview.com/2020/05/11/1001563/covid-pandemic-broken-ai-machine-learning-amazon-retail-fraud-humans-in-the-loop/> [Accessed 28 May 2020].

• Inglis-Arkell, E., 2012. Why The Venus Effect Has Been Tricking You for Centuries. Gizmodo, [online] Available at: <https://io9.gizmodo.com/why-the-venus-effect-has-been-tricking-you-for-centurie-5970962> [Accessed 11 January 2020].

• Jee, C., 2019. France plans to use facial recognition to let citizens access government services. Technology Review, [online] Available at: <https://www.technologyreview.com/f/614469/france-plans-to-use-facial-recognition-to-let-citizens-access-government-services/> [Accessed 13 January 2020].

• Jones, J., 2006. Archaeologists Have Discovered What They Believe To Be A 27,000-Year-Old Drawing Of A Face. [online] The Guardian. Available at: <https://www.theguardian.com/artanddesign/2006/jun/06/art> [Accessed 30 December 2019].

• Lander, K., 2019. Introvert? You may just be bad at recognising faces. The Conversation, [online] Available at: <https://theconversation.com/introvert-you-may-just-be-bad-at-recognising-faces-123205> [Accessed 8 January 2020].

• McKone, E., Crookes, K., Jeffery, L. and Dilks, D., 2012. A critical review of the development of face recognition: Experience is less important than previously believed, Cognitive Neuropsychology. Psychology Press, [online] Available at: <http://web.mit.edu/bcs/nklab/media/pdfs/McKone_etal_inpress.pdf> [Accessed 5 November 2019].

• Mollman, S., 2019. China’s new weapon of choice is your face. Quartz, [online] Available at: <https://qz.com/1721321/chinas-new-weapon-of-choice-is-facial-recognition-technology/> [Accessed 6 January 2020].

• Moore, M., 2008. Banksy pulls off daring CCTV protest in London. Telegraph, [online] Available at: <https://www.telegraph.co.uk/news/uknews/1895625/Banksy-pulls-off-daring-CCTV-protest-in-London.html> [Accessed 28 May 2020].

• Mosaic Art Now, 2010. Prosopagnosia: Portraitist Chuck Close. [online] Available at: <http://www.mosaicartnow.com/2010/07/prosopagnosia-portraitist-chuck-close/> [Accessed 8 January 2020].

• Mui, C., 2018. Have You Committed A Facecrime Today?. Forbes, [online] Available at: <https://www.forbes.com/sites/chunkamui/2018/10/15/have-you-committed-a-facecrime-today/#75c1e60e541e> [Accessed 6 November 2019].

• Norris, M., 2013. Visualizing Race, Identity and Change. National Geographic, [online] Available at: <https://www.nationalgeographic.com/photography/proof/2013/09/17/visualizing-

• WBUR, 2018. They Always Remember A Face: What It Takes To Be A Scotland Yard 'Super Recognizer'. [online] Available at: <https://www.wbur.org/hereandnow/2018/10/01/skripal-poisoning-super-recognizer> [Accessed 8 January 2020].

• Yang, Y., 2020. How China built facial recognition for people wearing masks. Financial Times, [online] Available at: <https://www.ft.com/content/42415608-340c-4c0a-8c93-f22cdd4cc2d6> [Accessed 28 May 2020].

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Books

• Adorno, T.W,. 1950. The Authoritarian Personality, New York: Harper & Row

• Anderson, W., 1997. Ovid's Metamorphoses, Books 1-5. Oklahoma: University of Oklahoma, p.372.

• Fry, R. and Bullen, J., 1981. Vision And Design. New York: Dover Publications, In., pp.14, 33.

• Gombrich, E., 1977. Art And Illusion. 5th ed. London: Phaidon, pp.170, 244, 251, 279.

• Klein, P., Groen, K., Broekhoff, P., Kilian, J., Wetering, E., Veen, J. and Winkel, M., 2005. A Corpus Of Rembrandt Paintings. Dordrecht: Springer.

• PAVON CUELLAR, D., 2018. From The Conscious Interior To An Exterior Unconscious. Oxon: ROUTLEDGE.

• Varnelis, K., 1998. The Education of the Innocent Eye. Journal of Architectural Education, [online] 51(4), pp.212-223. Available at: <https://www.jstor.org/stable/1425477?seq=1#metadata_info_tab_contents> [Accessed 13 October 2019].

•  Zilio, M,.2018. Faceworld. Cambridge: Polity Press

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Exhibitions

• 2019. AI: More Human. [Exhibition].

• 2019. Other Space. [exhibition].

• 2020. Nature In Art. [Exhibition].

• Eliasson, O., 2019. In Real Life. [exhibition].

• Emin, T., 2019. A Fortnight Of Tears. [exhibition].

• Gormley, A., 2019. [Exhibition].

• Krasner, L., 2019. Living Colour. [Exhibition].

• Waterhouse, W., 2019. Epic Win. [Exhibition].

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PDF

• Bertamini, M. and Latto, R., 2017. [ebook] New York: Oxford University Press. Available at: <https://www.researchgate.net/publication/330262136_The_Venus_Effect> [Accessed 28 May 2020].

• Peter, A., 2020. “THE GIFT OF THE MOMENT”: WALTER BENJAMIN AND COMICS HISTORY. [ebook] Michigan: Wayne State University. Available at: <https://digitalcommons.wayne.edu/cgi/viewcontent.cgi?article=1304&context=oa_theses> [Accessed 27 May 2020].

• Pistoletto, M., 1994. The “Progetto Arte” Manifesto. [ebook] Available at: <http://www.pistoletto.it/eng/testi/the_progetto_arte_manifesto.pdf> [Accessed 5 June 2019].

• Potts, J., 2012. The Theme Of Displacement In Contemporary Art. [online] Open Edition. Available at: <https://journals.openedition.org/erea/2475> [Accessed 26 May 2020].

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Reports

• Arcurio, L., Gold, J. and James, T., 2012. The response of face-selective cortex with single face parts and part combinations. Indiana University, [online] Available at: <https://www.ncbi.nlm.nih.gov/pubmed/22750118> [Accessed 5 November 2019].

•  Europe.naverlabs.com. 2019. Learning Visual Representations. [online] Available at: <https://europe.naverlabs.com/research/computer-vision/learning-visual-representations/> [Accessed 5 November 2019].

• Jeffery, L. and Rhodes, G., 2011. Insights Into The Development Of Face Recognition Mechanisms Revealed By Face Aftereffects. [online] The University of Western Australia. Available at: <https://www.ncbi.nlm.nih.gov/pubmed/21988385> [Accessed 5 November 2019].

• Li, J., Tian, M., Fang, H., Xu, M., Li, H. and Liu, J., 2010. Extraversion Predicts Individual Differences In Face Recognition. [ebook] Available at: <https://www.tandfonline.com/doi/full/10.4161/cib.3.4.12093> [Accessed 27 May 2020].

• Megreya, A. and Bindemann, M., 2012. Individual Differences In Personality And Face Identification. [ebook] Kent: University of Kent. Available at: <https://www.tandfonline.com/doi/abs/10.1080/20445911.2012.739153> [Accessed 27 May 2020].

• Rosenthal, G., Tanzer, M., Simony, E., Hasson, U., Behrmann, M. and Avidan, G., 2017. Altered Topology Of Neural Circuits In Congenital Prosopagnosia. [online] United States: eLife. Available at: <https://elifesciences.org/articles/25069> [Accessed 26 May 2020].

• Ruane, M., 2019. Narcissus In The Field : Jacques Lacan' S Le Stade Du Miroir. [online] Hdl.handle.net. Available at: <http://hdl.handle.net/10788/2700> [Accessed 29 December 2019].

• Stankiewicz, B., 2019. Ten Jews Who Made Poland Famous. [online] Inyourpocket.com. Available at: <https://www.inyourpocket.com/krakow/ten-jews-who-made-poland-famous_20702e> [Accessed 28 May 2020].

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Videos

• MEET DEMO: THE ARTIST WHO CREATES CHARACTERS THAT NEVER STAY THE SAME. 2019. [DVD] Directed by S. Deng. USA: Youtube, Curina.

• Painting as Illumination talk TC. 2020. [video] Directed by T. Cardwell. London: Vimeo

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Websites

• Akunyili Crosby, N., 2020. Njideka Akunyili Crosby. [online] Njidekaakunyilicrosby.com. Available at: <http://www.njidekaakunyilicrosby.com> [Accessed 10 June 2020].

• Alonso, R., 2017. Gyula Kosice, Royi, 1944. Faros, [online] Available at: <https://www.daros-latinamerica.net/essay/gyula-kosice-röyi-1944> [Accessed 26 May 2020].

• Arts, C., 2019. Archive: Jonathan Baldock, Facecrime. [online] Archive.camdenartscentre.org. Available at: <https://archive.camdenartscentre.org/archive/d/jbaldock> [Accessed 5 November 2019].

• Brooklynmuseum.org. 2020. Brooklyn Museum: Out Of Place: A Feminist Look At The Collection. [online] Available at: <https://www.brooklynmuseum.org/exhibitions/out_of_place> [Accessed 10 June 2020].

• Braithwaite Martineau, R., 2020. ‘The Last Day In The Old Home’, Robert Braithwaite Martineau, 1862 | Tate. [online] Tate. Available at: <https://www.tate.org.uk/art/artworks/martineau-the-last-day-in-the-old-home-n01500> [Accessed 10 June 2020].

• Face ID Masks. 2020. Facial ID Respirator Masks. [online] Available at: <https://faceidmasks.com> [Accessed 28 May 2020].

• Gaines, C., 2020. FACES: Set #4, Stephan W. Walls | Hammer Museum. [online] Hammer. Available at: <https://hammer.ucla.edu/now-dig-this/art/faces-set-4-stephan-w-walls> [Accessed 10 June 2020].

• GalleriesNow.net. 2019. Jonathan Baldock: Facecrime At Camden Arts Centre, London. [online] Available at: <https://www.galleriesnow.net/shows/jonathan-baldock-facecrime/> [Accessed 6 November 2019].

• Hales Gallery. 2020. Hew Locke. [online] Available at: <https://www.halesgallery.com/artists/15-hew-locke/overview/> [Accessed 28 May 2020].

• Harvey, A., 2020. CV Dazzle: Camouflage From Face Detection. [online] Cvdazzle.com. Available at: <https://cvdazzle.com> [Accessed 28 May 2020].

• Harvey, A., 2020. Projects — Adam Harvey. [online] Ahprojects.com. Available at: <https://ahprojects.com/projects/> [Accessed 28 May 2020].

• Hopkins, E., 2015. EMMA HOPKINS INSIDE PORTRAITS EXHIBITION INTERVIEW.

• Jones, S., 2020. ‘The Dining Room (Francis Place) I’, Sarah Jones, 1997 | Tate. [online] Tate. Available at: <https://www.tate.org.uk/art/artworks/jones-the-dining-room-francis-place-i-p78252> [Accessed 10 June 2020].

• Luksch, M., 2007. FACELESS | Manu Luksch. [online] Manu Luksch. Available at: <http://www.manuluksch.com/project/faceless/> [Accessed 28 May 2020].

• Macuga, G., n.d. GOSHKA MACUGA. [online] Kate Macgarry. Available at: <http://www.katemacgarry.com/artists/goshka-macuga/> [Accessed 26 May 2020].

• Magid, J., 2004. Evidence Locker. [online] Jillmagid.com. Available at: <http://www.jillmagid.com/projects/evidence-locker-2> [Accessed 28 May 2020].

• nhs.uk. 2019. Prosopagnosia (Face Blindness). [online] Available at: <https://www.nhs.uk/conditions/face-blindness/> [Accessed 8 January 2020].

• Ormandik, M., 2020. Marek Ormaník | Slovak Academic Painter | European Impact. [online] Chors. Available at: <https://www.cho.rs/en/chors-marek-ormandik/> [Accessed 10 June 2020].

• Pistoletto, M., n.d. Mirror Paintings. [online] Pistoletto.it. Available at: <http://www.pistoletto.it/eng/crono04.htm> [Accessed 4 May 2019].

• Projection Systems. 2009. The Origin Of Painting. [online] Available at: <https://projectionsystems.wordpress.com/2009/09/06/the-origin-of-painting/> [Accessed 7 January 2020].

• Sharp, C., 2019. The Complex Simplicity of Faces. Camden Arts Centre 'File Note', [online] Available at: <http://jonathan-baldock.com/text/> [Accessed 5 November 2019].

• Waterhouse, W., n.d. EPIC WIN. [online] . Available at: <http://www.waterhousewilliam.com/epic-win> [Accessed 26 May 2020].

• WOW x WOW. 2020. Phil Hale - Artist Profile. [online] Available at: <https://wowxwow.com/artist-profile/phil-hale-ap> [Accessed 18 June 2020].

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